KAPmodern: Spiel s noch einmal.

Modern = highly complex? Doesn't have to be. Some works achieve their full effect with just a few notes, simply through their repetition. Morton Feldman thus creates spheres of weightlessness as he wanders into infinity. Trance-like states - anyone who has ever sat under a tree full of crickets in summer will know what Kate Moore sounds like in her quartet. Giacinto Scelsi descends into darkness, obsessed by the power of deep tones, while Beat Furrer seeks airy movement. What would a successful concert be without an encore? Johannes Nied has prepared something. If that's not enough, a piece like Mario Lavista's divertimento about witches or Danish kings is a welcome revision course. "Was t h a t life? Well then! One more time! There is much sounding play in such a saying," Nietzsche knew. "He who has ears, let him hear. - ‘, gladly ’countless times".