Organ Sequences XXIV

* Caterina de nicola

organ

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* Benjamin Whitehill

guitar

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* Lottie Sebes

sewing machine, tape machine, talk box, electronics

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* THREADEDDREAMS™

organ

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Caterina de nicola
Born in 1991 in Ortona (IT)
Her practice of noise music draws on various sub-genres, characterized by fast, violent staccato rhythms, drone... She pushes the boundaries of the no-fi aesthetic to the extreme, favoring sonic abstraction and tangible experiences that allow individuals to engage with space on their own terms.
As a musician, Caterina De Nicola is a member of the Catmiao duo with clarinettist and noise musician Miao Zhao, and of TOBATT with trombonist and composer Axel Kolb. As a music producer and event organizer, she participates in Zurich's noise and experimental scene, and currently co-organizes the Malatang concert series with Miao Zhao.

https://www.instagram.com/catecoladenirina/





Benjamin Whitehill
Guitar mangling noise-troubadour and outsider recording artist, Benjamin Whitehill, has been skirting the periphery of the Berlin experimental underground since relocating in 2011, sharing stages with various free-improvising noise-heads and continuing to craft a particular brand of lo-fi bedroom music.

https://benjaminwhitehill.bandcamp.com/album/oak-apple-worm-various-instances-of-guitar-music-vol-1





Lottie Sebes
performer, sound artist and researcher who explores historical relationships between humans and machines. Her practice serves as a lens to examine how power structures continuously manifest in our technological artefacts. With a focus on body and voice interfaces, Sebes seeks to question how we shape and are shaped by machines over time. Pushing back against sleek tech fetishism, her works unsettle norms of technological ‘progress’. 

https://motestudio.bandcamp.com/album/veritas-ventriloquist





THREADEDDREAMS™
(b.1983)
Composer, organist, pianist, harpsichordist, noise musician (no-input mixer) and Vaporwave artist. 
He won in 2001 the first price of the Piano international competition Euro-region Arras and the first price of the concorso internazionale di Musica Antica “Maurizio Pratola” in 2013.
In 2014, he left Europe for Asia, where he recorded traditional music. Back in Europe in 2019, he resumed his career as a performer and composer. His work focuses mainly on the organ and the no-input mixing board. 
During his process of creating organ music, he takes into account the instrument’s imperfections, precisely tuned intervals, and the surrounding environmental chaos. The piece is usually meant to be played only on the specific instrument it was composed for.
He is the creator and curator of the series “ORGAN SEQUENCES”.
Lives actually in Java island and Berlin.

https://romainbertheau.bandcamp.com/album/avalanche-axe-wand