Megan Alice Clune | Judith Hamann

Megan Alice Clune, Repetition Study I: imagine being for clarinet, voice & electronics (Meakusma 2026)

Judith Hamann, Post-Paradise for cello & electronics, written for Adam Man's video installation Paradise

Megan Alice Clune's work explores the dynamic relationships between music, technology, the body and temporality through composition, performance and installation. She draws from a unique combination of techniques and processes, from her training as a classical clarinetist to an interest in conceptualism and the avant-garde in both visual art and music, as well as from her study with La Monte Young and a love of popular and electronic music.

Judith Hamann's work encompasses performance, improvisation, electro-acoustic composition, field recording, electronics, site-specific generative work, and microtonal systems. Currently their work is focused on an examination of expressions and manifestations of "shaking" in solo performance practice, a collection of new works for cello and humming, and ongoing research surrounding the collapse and the de-mastering of instrumental practice.